Woke up this morning to a nice message from the team at Houzz to say that one of my projects has been featured in an editorial on styling gallery walls. Lately I'm leaning back towards one dominant piece of art on a wall, although I love the relaxed look picture ledges can bring to a space, especially when combining different media. If you're looking for more ideas on how to create a successful gallery wall, you can scroll through the Houzz ideasbook below!
Mid- August and we are reveling in another heat wave - or not. So it's grey and cloudy outside, with not much hope of an upswing in the weather? No need to despair, bring the sunshine in with these summery picks for your interiors!Read More
Sometimes it's hard to suppress the pangs of envy as I work with clients, especially as I have been trying to move home for a l-o-n-g time now and all home projects have been put on the back burner! I'm currently working on a master suite of three rooms in a beautiful 1860s house. The clients want a sense of flow and connection through the house, but have also picked out a vibrant orange for inclusion in the bathroom. The husband favours more modern design while the wife would prefer organic shapes, curves and a little bit of romance. This is by no means the end result, but I'm really liking the feminine finishes with some harder edges added.
I love books and there are plenty available on the subject of colour and its use in interiors. But sometimes you need only take a look inside the cover of your favourite read to see some fabulous colour combinations... OK, so maybe I wouldn't use these colour combinations for large surface areas, but as a starting point for accents with some neutral colours added, they make for great inspiration.
L-R: For Joshua Ferris, To Rise Again at a Decent Hour, try Firecracker Lt. (88) and Caribbean Blue (119), both Sanderson.
For Donna Tartt, The Goldfinch, try Babouche (223) and Railings (31), both Farrow & Ball.
For Anna Del Conte, Gastronomy of Italy, try Mushroom and City Grey, both Zoffany.
For Hanif Kureishi, Something to Tell You, try Race Yellow (122) and Cochineal (65) both Kevin McCloud for Fired Earth (tricky one, this -- that yellow really is spectacularly yellow!).
For Neel Mukherjee, The Lives of Others, try Charlotte's Locks (268), Farrow & Ball, Purpleheart (188), Little Greene and Red Velvet, Craig & Rose (but only if you're feeling colour-confident!).
For Stephen Calloway, The Elements of Style, try Mews Blue and Theatre Land, both Mylands.
Now, don't get me started on the possibilities presented by the humble paper bag...
The before shots for this small bathroom almost speak for themselves — not the relaxing space you would hope for and that antibacterial soap is not fooling anyone that this is a hygienic space!
The room is pretty tiny but not unusually so — 1.9m x 2.4m (7'2" x 7'11"), with no real prospect of stealing space from elsewhere. The sanitary ware had been lined up along one wall to minimise pipe runs to the soil pipe outside the window. I'm all for efficiencies but this did mean that the basin overhung the bath and that anyone washing their face would be faced with the toilet staring up at them. The position of the bath under the skilling ceiling made installing a shower almost impossible. The suite was extremely dated, the vintage wallpaper peeling off the walls, the lino cracked and hardened. No heating apart from the death-trap contraption above the door; if opened vigorously, the door collided with the bath; oh, and the window was riddled with dry rot. Apart from the period door, there was nothing worth saving.
Here's what we did:
- Repositioned the bath to sit alongside the door, which enabled us to use the full ceiling height to install an over-bath shower. The wall space at the end of the bath provided a place for a wall hung heated towel rail
- (Tip: if you have a similar arrangement with a hinged glass shower screen above the bath, and want your bathroom to feel more spacious, fold the screen back against the wall when you've finished using it — it may be glass, but it still takes up space visually!)
- Rehung the door to open the other way — this enhances the sense of space as the door no longer blocks the view of the room when you enter
- Sited the basin on the wall to the left of the door. Giving it its own space creates a more user-friendly experience and provides wall space above for storage / a mirror. By choosing a wall-hung design, we kept the floor beneath free, which again makes the room feel wider
- Chose a corner toilet, with minimal alteration to the position. In general, running pipes for a WC is more costly and complicated than those for basins and baths so, where possible, it does make sense to keep a WC in its original position. People can be a little unsure about corner toilets but they can be really useful in a small bathroom because diagonal lines are the longest in the room and so allow more space for standing/sitting (just imagine how cramped this room would feel if the loo faced directly into the side of the basin).
- Chose the same finish porcelain limestone effect tiles in two different formats for interest without breaking up the space (30x30cm for the floor and 30x60cm for the walls). We did not tile the room all over as this can appear cell-like in a smaller room, instead the walls around the bath were tiled to full height, while the other two were tiled to dado height to form a continuous line backsplash behind the basin. I am not generally keen on 'fake' finishes but porcelain is almost completely maintenance free compared to genuine limestone and looks very effective.
- Installed underfloor heating. If you don't have the luxury of a generously sized bathroom, it should at least feel luxurious when you use it — tiled floors can be chilly and underfloor heating is very cost effective in a small space.
- Added a combined mirror / storage unit above the basin, a pale basket for extra bits and pieces and a clock — a less usual choice for a bathroom, but really useful if you have children you are trying to hurry out of the house (don't spend too much on it though as unless your ventilation is hardcore in the extreme it will eventually rust and need replacing).
- Added a high spec extractor fan and replaced the rotten window with a hardwood version to avoid a repeat of the dry rot incident (N.B. dry rot is a serious issue which requires extensive remedial action and cannot be remedied by simply replacing the rotten wood as it can live in and spread through the surrounding masonry. Seek professional advice.)
There has been an explosion of creativity in lighting in recent years, in terms of both form and materials used. From concrete to knitting, here are a few of my favourites:
Struggling to find the right lighting for your space and requirements? Just ask!
The beginning of something...? A hint of sophistication, with their animal skin references, but also great fun and dynamic. The small scale of these patterns means they will feel less busy than you might expect and more textural when seen from afar.
This week, among other projects, I have been working at speed to develop a scheme for a guest bedroom as part of a whole house refurbishment. Guest bedrooms are often overlooked and end up as makeshift storage spaces, decorated with all the odds and ends of furniture that hasn't found a home elsewhere.
In some ways, this room started off in much the same way -- my clients were keen to reutilise some of their existing pieces from various rooms in their previous home, while creating a fresh and coherent look. While this can be a tricky starting point, I often find it much easier to work within restrictions rather than having a completely blank canvas; 99 per cent of the time, the problem is too much choice, rather than struggling to find the right thing!
The items that we had to work around were: a cube stool, which my clients were willing to have reupholstered, a simple large drum shade in neutral linen, a clean-lined oak wardrobe similar to that shown and a dark leather upholstered bed frame. The windows of the room benefit from beautiful architraving and original Victorian shutters, which we had taken the decision to maximise by painting a very punchy colour - Little Greene Yellow-Pink. The clients expressed a desire for a mirrored console / dressing table, but I encouraged them instead to make the oak wardrobe look like a more definite choice by choosing additional oak pieces. If you have a piece of furniture that you know you are going to replace imminently, by all means ignore it as you're planning your room, but if it is a quality piece with some mileage left in it, then embrace it, even if it's not your favourite item. It will look a lot better this way!
The most significant decision from here was the wall treatment. When you've got such a strong colour on one area of the room, as we had with the shutters, the temptation might be to go pale and understated with the rest of the room, when what is actually required is something with enough punch to hold its own but nothing so crazy that it will compete. This wallpaper by Neisha Crosland, with a simple but bold pattern in a deep, muted colour way is ideal. We chose a fabric to upholster the stool that co-ordinates with a small pattern to add a bit of energy to the subdued colour and some faux shagreen bedside tables as a bridge between the leather and the lighter elements. No wiring has been added for bedside lights, so slim lamps were chosen that will leave space for books, flowers and water, and the final small details repeat the yellow-ochre colour around the room. The result is a space that looks elegant and sophisticated in which all elements have a role to play.
1. Capri oak double wardrobe, Bentley Designs. 2. Little Greene paint, Yellow-Pink. 3. Caterpillar Leaf wallpaper in Mughal Mud, Neisha Crosland. 4. Samantha ceiling light, John Lewis. 5. Moss stitch throw in yellow, Joules. 6. Hana II oak console table, Habitat. 7. Large cube stool, Roger Oates Lifestyle. 8. Kendal 03 fabric, The Dormy House. 9. Avallon faux leather sleigh bed, Julian Bowen. 10. Shagreen Sovana side table in Champagne Ivory, RV Astley. 11. Classic Stork bedside lamp, Oka.
Having problems incorporating existing pieces into a fresh new look? Contact me for advice.
I have been working on several kitchen projects lately - maximising living space seems to be at the forefront of people's minds as moving up the property ladder is becoming nigh on impossible in some parts of the country (believe me, I know!). Incorporating an island is a great way to enhance the functionality and flow of a kitchen and, especially if it incorporates a hob or sink, can really help avoid those tight corners where everyone seems to gather at the same moment to make some toast / empty the dishwasher/ fill the kettle.
Of course we'd all love something the size of this beauty, from 1909 Kitchens, but given the preponderance of Victorian and Edwardian buildings in our housing stock in the UK, with a long, thin kitchen at the back of the house, I'm guessing that this is not an option for most of us!
Even if your kitchen is narrow though, you may still be able to fit in an island -- here are a few ideas and thoughts to help you figure out if it's possible.
Firstly, an island does not have to be particularly deep. This one is only one unit deep - c. 63cm with an allowance for the counter (although the work surface does overhang), or alternatively, units designed for wall hanging can be used on the ground. Placed back to back, these would create an island of c. 75cm deep. Positioning a sink in an island in this way will require more tailoring of the cabinets, but it can be done.
An alternative approach would involve using standard depth base units and backing them with shallow customised shelving for books or additional storage. This is particularly useful if you want your island to house a hob or sink or if it has a living or dining area directly in front of it, as it creates a 'buffer zone' between you and your guests or any small children.
The island above is again apparently only the depth of a standard base cabinet. In a multi-functioning room, creating a wrap around the island means you don't have to look at the dirty dishes while enjoying your dinner party!
If you would like to incorporate some seating into your island, I think the above is a clever solution, giving more space for the stools than they would have received at the end of the island. An 80cm wide drawer unit has been placed across the end of the island, perpendicular to standard depth cabinets. The 20cm difference creates an overhang to house the bar stools. This arrangement also means someone can reach into the drawers without getting in the way of someone working at the sink.
This would also work where the space available is long and thin - although bear in mind that bar stools are only good for informal eating (can't see why you couldn't step the height of the surface down to a more regular table height though).
Many kitchen ergonometric guides will suggest a gap of 100cm between an island and other units or a wall. In a narrow kitchen, I think 90cm is still perfectly workable for most circumstances, particularly if you give due consideration to the position of the fridge-freezer and dishwasher, which tend to be crunch points. Remember that you space will feel more expansive the more of the floor can be seen, so a footed island will always look less imposing that one that sits firmly on the floor and even a recessed kick plate, such as that in the image above, will make a big difference.
Lots more kitchen inspiration on my Pinterest board!
Contact me if you would like help in planning a kitchen that works for your needs and space.